Thursday, September 5, 2019
Street Photography: Children — law, morals & ethics, commonsense
Henri Cartier-Bresson was a 20th century French photographer. He is considered the father of photojournalism and perhaps the most important pioneer of street photography.
Cartier-Bresson was more than a street photographer. His images transcended the genre in a way that street photographers aspire, but rarely achieve. Cartier-Bresson was a humanist photographer. His photographs tell the stories of human endeavor, customs, social and economic class, human character and characteristics, behavior and distinctiveness. His photographs purposefully witness human nature.
Cartier-Bresson walked the streets of the world from the 1930s through the early 1970s, after which he retired to drawing and painting until his death in 2004.
There was little fear of public photographers while Cartier-Bresson walked the streets of the world with his 35mm Leica, unlike the last four decades which have seen increasing fear of public photography, rising almost to hysteria after 9/11. Today, street photographers, particularly those photographing children, must balance their desire to capture candid storytelling moments, with the potential of physical attacks, and social media witch hunts with the potential to destroy one's reputation and career.
Cartier-Bresson was more than a street photographer. His images transcended the genre in a way that street photographers aspire, but rarely achieve. Cartier-Bresson was a humanist photographer. His photographs tell the stories of human endeavor, customs, social and economic class, human character and characteristics, behavior and distinctiveness. His photographs purposefully witness human nature.
Cartier-Bresson walked the streets of the world from the 1930s through the early 1970s, after which he retired to drawing and painting until his death in 2004.
There was little fear of public photographers while Cartier-Bresson walked the streets of the world with his 35mm Leica, unlike the last four decades which have seen increasing fear of public photography, rising almost to hysteria after 9/11. Today, street photographers, particularly those photographing children, must balance their desire to capture candid storytelling moments, with the potential of physical attacks, and social media witch hunts with the potential to destroy one's reputation and career.
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